There are a lot of duplicate designs out there due to people copying the same source material.” If a retro font is the idea, says Rian, rather than copy an existing model, try and capture the essence in a new and appropriate manner. #Contoh proposal skripsi akuntansi keuangan updateHe designed the letters O, C and S first, and added ligatures and Open Type functionality in an update (courtesy HypeForType) “It enhances the value proposition of a typeface tremendously.” “Load your font with stylistic alternates, discretionary ligatures and as many other OpenType features as you can,” he says. Paul Lloyd of Perth-based independent foundry Greater Albion Typefounders agrees that providing as much choice as possible is a savvy move. Image: Birmingham New Street was inspired by the hand-lettered title on a 19th century railway map (courtesy HypeForType) The trick is to be ahead of that trend,” he advises, “whatever it is.” Also, some popular fonts are lost in a swamp of similar styles by bandwagon jumpers who see a trend. “However, here’s the rub: sometimes the fonts you think will sell well don’t, and the ones you almost don’t release – Roadkill, for example – become runaway hits. “Just remember that for headline or exotic fonts, the design might only work in one or two weights,” he adds. “Fundamental to all fonts these days is an extended character set, finely honed kerning and – for text fonts – a decent range of weights,” says British graphic designer, illustrator and prolific type designer Rian Hughes, who runs Device Fonts and is the author of Custom Lettering of the 20s and 30s.Īs he points out, the more choice you provide, the more likely it is your font will appeal to a wider audience. Image: Rian Hughes’ Roadkill family of typefaces is based on rough and worn road lettering (courtesy HypeForType) Create multiple weights and extended characters How ultra-flexible layered font Parts & Labor will make you more creativeĠ1. So what are the secrets for creating a font that sells? We sat down with some leading type designers from around the world to find out… Typography can set the tone for a design or illustration project – but the type market is busy, and it doesn’t follow that your sparking new retro or vintage font will automatically prove popular. KRISNA: Kumpulan Riset Akuntansi is Available online at since Volume 9 No 1 2017.Designing a best-selling retro font is like making any best-selling product: you need to create something brilliant that buyers want, and you need to tell your audience it’s there. ISSN printed version is 2301-8879 and ISSN electronic is 2599-1809. KRISNA: Kumpulan Riset Akuntansi is available in print and online versions. This journal published by Program Studi Akuntansi, Fakultas Ekonomi dan Bisnis, Universitas Warmadewa, two times a year in July and January. The scope of this journal area any topics concerning accounting and business development, such as financial accounting, management accounting, Auditing, tax, accounting information system, government accounting and accounting behaviour. It aims is to provide a place for academics and practitioners to publish original research articles, review articles, and book reviews. This journal provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge. KRISNA: Kumpulan Riset Akuntansi is a peer-reviewed economic journal which published research articles and theoretical articles in accounting and business sciene.
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